About four miles out of modern day Sparta (itself no longer ancient) is the Medieval Byzantine site of Mystra. Hugging the rocky outcrop of Mt. Taygetos, the castle (Kastro) on the very top was built in 1249 by a French crusader named Villehardoin. After the Kastro was constructed, the settlement continued growing downwards, evolving into the upper town (Anokhora) and lower town (Katokhora). A few years later, the area was wrested from Villehardoin by the Byzantines and eventually developed into a rich center for the Byzantine culture.

Deserted tile-domed monasteries and churches, along with remnants of mansions and palaces, are what now remain of the settlement, but at one time, this had been home to 42,000 inhabitants. Aside from Mystra’s political significance, it was also famous for its artistic achievement. In the 14th and early 15th century, it was a distinguished cultural and intellectual hub for the Byzantine world, attracting scholars and theologians. Even the Renaissance of Florence and Rome were influenced by this Peloponnesan enclave.

Through the centuries, Mystra has been under the thumb of Byzantines, Turks, Venetians, Albanians, and Egyptians. Not all of its conquerors have been kind to its beautiful buildings constructed of local brick and stone, or appreciative of its brilliant frescoes adorning the walls and ceilings. Evidence of the Turks’ distaste for the religious scenes lies in the poked-out eyes of the figures floating overhead. The most recent damage to the area occurred in 1944 when Greek partisans fought on the mountainside.

Mystra is famous for its surviving churches — the lower town (a misnomer!) holds the most important ones. Parking near the lower entrance, we headed directly there. Since everything to see in Mystra is straight up, we aimed skyward, following the weed-brushed switchbacks. Stopping at each structure we came upon, we took time to look outward at the panorama over the Laconian plain stretching below.

Arriving at the most important church of the site, Perivleptos Monastery, we marveled at the radiant 14th century frescoes decorating the vaulted ceilings and flaking walls. Portraying scenes from the New Testament, the artwork was unmistakenly Byzantine, recognizable for its lack of artistic perspective. Fascinated, we lingered, peering closely at the pictures. The guard, noticing our interest, began explaining the stories behind all the different scenes. As instructed, we refrained from taking flash photos. Thanking the guard, we left, noticing a No Smoking sign prominently displayed at the door. We giggled to ourselves since the guard, wandering with us throughout the inside of this fragile little church, had been puffing away on a cigarette the whole time.

The best was saved for last — the precipitous climb to the very top of the Kastra. Not many others ventured up this high, but we did stare open-mouthed at a woman in precarious little heels cautiously making the ascent. I carefully minded my own steps in the sturdy sandals I wore, amazed she was clipping along so well in those meager street shoes. From the top (and you know we went to the very, very top), we speechlessly surveyed the dramatic views over the valley and into the rugged ravines of the Taygetos Mountains.